{"id":3400,"date":"2026-08-13T22:05:23","date_gmt":"2026-08-13T20:05:23","guid":{"rendered":"https:\/\/nopeanuts.agency\/?page_id=3400"},"modified":"2026-08-20T10:48:11","modified_gmt":"2026-08-20T08:48:11","slug":"vanzari-de-bilete-pentru-evenimente","status":"publish","type":"page","link":"https:\/\/nopeanuts.agency\/ro\/services\/events-ticket-sales\/","title":{"rendered":"Campanii v\u00e2nz\u0103re bilete evenimente"},"content":{"rendered":"
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Ticket Sales Campaigns<\/p>\n

Let us show you how we sold out events<\/h1>\n

We\u2019ve promoted 100+ concerts, festivals and events. We don\u2019t do reach, we do tickets.<\/p>\n <\/section>\n\n

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Why funnel ads suit events<\/h2>\n
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An event has one deadline and no second chance. That changes how the advertising has to work.<\/p>\n

Most event promotion is awareness, push the poster at as many people as possible and hope enough of them buy. It spends the budget early and tells you nothing about who was actually going to come.<\/p>\n

We build a funnel instead. Wide at the top with content that makes people curious, then narrowing by behaviour: who watched, who clicked, who visited the ticket page and didn\u2019t buy. Each group gets a different message at a different moment.<\/p>\n

The last wave costs the least and sells the most, because by then we\u2019re only talking to people who already showed they wanted to come.<\/p>\n <\/div>\n <\/div>\n <\/section>\n\n

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The numbers<\/h2>\n
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100+<\/span>events and festivals promoted<\/span><\/div>\n
200,000+<\/span>tickets sold through our campaigns<\/span><\/div>\n
60%<\/span>sold out before opening day<\/span><\/div>\n
+15%<\/span>average increase in ticket sales<\/span><\/div>\n <\/div>\n
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Richard Clayderman<\/h3>\n

1,000+ tickets sold, on 25% less media spend<\/p>\n

A tighter funnel meant we stopped paying to reach people who were never going to buy.<\/p>\n <\/div>\n

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Georgiana Lobon\u021b<\/h3>\n

140% increase in ticket sales<\/p>\n

Content built around the audience that was already showing up, then retargeted properly.<\/p>\n <\/div>\n

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Jazz in the Park<\/h3>\n

Buying decision shortened to one month<\/p>\n

People stopped waiting until the last week. Retargeting closed the gap between hearing about it and holding a ticket.<\/p>\n <\/div>\n <\/div>\n <\/section>\n\n

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Some ground rules<\/h2>\n
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It takes a minimum of two weeks to see results<\/summary>

Campaigns need a few days to leave learning and find the right audiences. Anything shorter and you\u2019re paying for guesswork.<\/p><\/details>\n

One to three months is what we\u2019d recommend<\/summary>

A month gives room for a proper announce, a final push and time to correct what isn\u2019t working before it matters.<\/p><\/details>\n

Lots of content means lots of results<\/summary>

Events live on material. More angles, more faces, more moments means more to test and more reasons for someone to stop scrolling. Thin content caps the result no matter what the budget is.<\/p><\/details>\n <\/div>\n <\/section>\n\n

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How a campaign runs<\/h2>\n
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  1. Announce<\/h3>

    Wide, curiosity-led. We find out who reacts and build the audiences everything else depends on.<\/p><\/li>\n

  2. Early wave<\/h3>

    Retarget the people who engaged. Early tickets are the cheapest ones you\u2019ll ever sell.<\/p><\/li>\n

  3. The middle<\/h3>

    The hardest stretch. Content keeps the event alive while we test angles and lineups against real behaviour.<\/p><\/li>\n

  4. Final push<\/h3>

    Tight audiences, urgency, the people who already looked at the ticket page. This is where the sell-out happens.<\/p><\/li>\n

  5. Day of<\/h3>

    Last-minute buyers are real. We keep something running for them.<\/p><\/li>\n <\/ol>\n <\/section>\n\n

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    Who we\u2019ve worked with<\/h2>\n